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- Album Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
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Mozart: The Impresario, K. 486: Overture
Martin Pearlman, Boston Baroque
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Mozart: The Impresario, K. 486: Da schlägt die Abschiedsstunde
Martin Pearlman, Boston Baroque, Cyndia Sieden
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Mozart: The Impresario, K. 486: Rondo. Bester Jüngling!
Martin Pearlman, Boston Baroque, Sharon Baker
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Mozart: The Impresario, K. 486: Trio. Ich bin die erste Sängerin!
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Mozart: The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre
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The Beneficent Dervish: Sinfonia
Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen
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The Beneficent Dervish, Act I: Aria. Welche nie empfund'ne Freude
John Aler, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act I: Duet. Liebes Weib
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The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut
Kevin Deas, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act I: Chorus. O Abdallah
Alan Ewing, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act I: March
Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
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The Beneficent Dervish, Act II: Wind Music
Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
Sharon Baker, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act II: March
Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
Sharon Baker, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act II: The Sea Battle
Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut
Alan Ewing, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
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The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn!
Alan Ewing, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act III: Chorus. Vino pani
Alan Ewing, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
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The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum
Alan Ewing, Martin Pearlman, Boston Baroque
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The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land
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The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl
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